![]() ![]() ![]() These funders have existing relationships with organizations or programs that will provide support, direction, accountability and extended networks These projects will directly engage with subject and, consequently audience on urgent politic issues These fund seekers appearing out of the blue they’ve done work in the specific area and have chops and connections. On the first purpose, I’ve identified common traits among these projects that are indicative of a good practice: Secondly, to bring a half-dozen endeavors (5 prison-related and 1 purely photo-based) that I think deserve your attention and, perhaps, your dollars. Where the successful intersections between cultural production and social justice lie is, for me, a constant internal debate, so I hope this post serves two purposes.įirstly, to clarify my thinking and to highlight the type of crowd funding campaign that I think encapsulates best practice. I have benefited in the past from a Kickstarter campaign and in the immediate aftermath tried to give my feedback on the dos and don’ts. I feel like the jury is still out, but then again I have had my head somewhat in the sands of late. ![]()
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